The PXW-Z200 is a "professional workhorse" designed for the modern middle-market. 4k recording, 120fps, Inbuilt ND filters, XLR inputs, 20X zoom, internal Live Streaming capabilities The camera would be of great utility for **Corporate & Live Events**: The 20x zoom and internal streaming (RTMP/SRT) make it ideal for town halls and conferences. **Education & Houses of Worship**: The AI-driven Auto Framing and legendary Sony AF allow inexperienced volunteer operators to get professional results. **Broadcast & News**: With 12G-SDI and Timecode I/O, it integrates into professional multi-cam environments much better than the lower-tier NX800. Internal Live Streaming Direct-to-platform streaming via Wi-Fi or Ethernet (RTMP/RTMPS/SRT). Light Weight The build is lightweight (1.96 kg body) but professional. Existing batteries used: The Z200 uses the Sony BP-U series batteries (BP-U35/70/100) also used for FX6, FX9, or FS7 kits. Dual Media slots The dual-media slots accept both SD cards (cheap for clients) and CFexpress Type A (robust for high-bitrate hires), giving you flexibility in how you package the kit. Inbuilt Accessories ND filters, monitors, XLR unlike mirrorless rigs that require cages and external monitors, this is an "all-in-one" box means fewer parts to manage (screws, cables, plates) Cinematic & Compatible with other Sony cameras It offers the "Cinema Line" look (S-Cinetone & S Log 3) in a traditional camcorder form factor that broadcast clients still demand. It has the same colour science as Venixe & Sony FX series cameras Some Other features 20x Optical G-Lens: A massive 24-480mm (equivalent) range that covers almost any scenario without a lens swap. Variable Electronic ND Filter: Allows for seamless exposure adjustment from 1/4 to 1/128 without affecting depth of field. 4K 120p Recording: High-frame-rate capability in 4K (with a minor crop) for high-quality slow motion. 12G-SDI Connectivity: Support for 4K output over a single BNC cable—essential for professional broadcast and live switchers. S-Cinetone & S-Log3: Perfectly matches the color science of the Sony Venice, FX9, and FX6 for multi-camera productions. Auto Framing: An AI-driven feature that automatically crops and tracks a subject, making a static tripod shot look like it has a camera operator. Internal Live Streaming: Direct-to-platform streaming via Wi-Fi or Ethernet (RTMP/RTMPS/SRT). Foldable LCD & OLED EVF: A high-brightness 3.5-inch monitor and a 2.36M-dot OLED viewfinder for clear monitoring in daylight. Dual Media Slots: Supports both SDXC (V60/V90) and CFexpress Type A for versatile recording options. Technical Specifications Sensor 1.0-type Exmor RS CMOS (Stacked) Effective Pixels Approx. 14.0 Megapixels Lens Zoom 20x Optical (30x Clear Image Zoom in 4K) Focal Length 7.71 to 154.21mm (35mm Equiv: 24 to 480mm) Aperture f/2.8 to f/4.5 Internal ND Linear Variable ND (1/4 to 1/128) Video Formats XAVC S, XAVC HS, XAVC (MXF via 2025 update) Max Resolution 4K (3840 x 2160) up to 120p Audio 4-Channel, 24-bit LPCM (2x XLR, 1x 3.5mm, MI Shoe) Outputs 12G-SDI (BNC), HDMI (Type A), USB-C, LAN (RJ45) Weight Approx. 1.96 kg (Body only) _This camera was tested by Cinematographers at Accord Equips which helped this practical review. Available on rent at Accord Equips Call : Hotline 8080805915. Email : enquiry@accordequips.com whatsapp : +91-7715085859 Visit www.accordequips.com_